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The beginning of the film shows them clowning around as Nathan records the family at home with a video device. George and Maggie Peters are close to each other and to Nathan. In addition, the father gives sage advice to his son, telling him it doesn’t matter how big and strong he becomes as long as he has character. Ethan Bortnick plays Nathan Peters and his talent is inspiring.
#Movie about child piano prodigy movie
“Anything is Possible” certainly is true of this movie about a young music prodigy. Mother's disappearance, but, is anything possible? After the concert's huge success, Nathan remains empty and sad, because of his The orphans, along with Jesse and Nathan deviseĪ plan to raise funds for the orphanage, which includes a piano concert by prodigy, Nathan While at the orphanage, the children find out that the institution will be shut down,īecause their grant request was rejected. He has to stay at the orphanage until Child Care Services straightens out the custody of theĬhild. Playing the piano and eventually return him to his father. Persuades Jesse to keep his presence at her house a secret until he figures out what to do.ĭuring Evelyn and Jesse's absence from the house, Nathan finds a grand piano and as heīegins to play, we discover that he's a gifted virtuoso. Jesse, another ten-year-old whose mother is involved with running orphanages. Fourteen years of long, daily practice is not the same as being simply born a world-class composer.Nathan runs away and goes live in the streets where he befriends a homeless war veteran.Ĭaptain Miles takes the kid under his wing and becomes responsible for the child's safety.īecause the kid doesn't want to reveal where he lives, the Captain tricks him into befriending This may still seem young, but at that point Mozart had almost 14 years of intense practice behind him. His father began training Mozart in music when he was three years old, and Mozart’s first truly original concerto was written when he was 17 years old. But these first pieces, it turns out, were not actually original, but instead were reinterpretations of others’ songs. In reality, the first piano concerto he “wrote” was at age 11, after years of daily focused practice insisted upon by his father. According to Salieri in Amadeus, Mozart composed his first concertos at the age of four.
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In his actual letters, he makes it very clear that he wrote at a keyboard, as he needed to hear the notes as he was working.Īnother aspect of the Mozart myth was that he was a child prodigy, born with unprecedented gifts. The idea that Mozart composed pieces entirely in his head was also not true. Mozart even used a type of shorthand for drafting that made it easier for him to edit his work. He described a set of string quartets he composed as the “fruit of long and laborious effort.” Mozart would create numerous sketches, the music composer’s equivalent of rough drafts, as he worked through the various parts of his compositions. In reality, Mozart worked long hours in a highly repetitive, back-breaking process. A few hundred years later, the “magically inspired” conception of Mozart is still deeply ingrained in our collective consciousness. There is one problem with Mozart’s letter: It was a forgery. This letter became a cornerstone of the inspiration theory mythology that grew around Mozart: the brilliant composer did not toil for his musical ideas he was handed them by a mysterious Higher Power. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once.” In the letter, Mozart explained his composition process: “Provided I am not disturbed, my subject enlarges itself, becomes methodized and defined, and the whole, though it be long, stands almost finished and complete in my mind, so that I can survey it, like a fine picture or a beautiful statue, at a glance. The magazine’s publisher was an avid fan of and expert on the composer, telling all who would listen stories about how Mozart would compose in his head, without benefit of a piano. The film’s portrayal has its origins in a letter written by Mozart that was published in 1815 by a leading German music magazine. Divine music seemed to just flow out of Mozart. These were first and only drafts of music, yet they showed no corrections of any kind… Here again was the very voice of God!” In one scene, Salieri gazes at a finished Mozart composition: “Astounding! It was actually beyond belief. When he discovers that Mozart, now a young man, creates impeccable first drafts with no sign of editing or revisions, he is furious. In the film, Salieri toils relentlessly on his compositions, reworking them again and again.